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Journal of archaeology and ancient architecture

Tag Archives: theater

Das römische Theater von Mogontiacum (Mainz): Typologische Überlegungen mit Blick auf den regionalen Kontext

Author: M. Teichmann

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The probably largest Roman theater north of the Alps was located in Roman Mogontiacum (today‘s Mainz). Already in the late 19th and early 20th century, the site was partially excavated, documented and destroyed. Recent research was initiated in the late 1990s and resulted in the partial excavation of the monument. Despite the new field research and the importance of the building in Antiquity, the theater has been given relatively little attention in modern research discussions, or has sometimes been discussed under incorrect assumptions, based on the obsolete state of research. The present paper focuses on the typological comparison with other theaters in the region (primarily the province of Germania superior). The theater of Mainz was outstanding in various ways, based on architectural ornamentation influenced by Mediterranean models, its type, size and its very early construction date. The particular role of the theater is mainly due to its presumed function in the context of the memorial events for Nero Claudius Drusus, political gatherings and the presence of the Roman army.

(Italiano) Arredo urbano e rappresentatività pubblica e privata: il caso dell’Apulia meridionale in età tardo repubblicana e imperiale

Author: R. Belli Pasqua

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The study investigates the Roman sculpture from Taranto, Lecce and Brindisi; although in many cases it is difficult to trace the pertaining original contexts, the preserved documentation allows us to analyze how the sculptural decoration was used to meet the needs of public and private representativeness. The ideal sculptures, realized in function of the great monumental complexes built starting from the Augustan age (celebratory complexes, theaters, thermae, amphitheaters), show the adhesion to the political and cultural guidelines enacted at central level, while the iconic statuary documents the choice of public areas or highly representative buildings, aimed at building consent, so as to create those “figurative spaces” through which the city celebrates itself and its citizens. Iconographic schemes and reference models attest the full adherence to the cultural models proposed by the imperial authority.